Visual Unity:
· Visual unity indicates agreement and
harmony. For it to occur, the image or
design in its entirety must be predominant over the individual elements of the
piece. If only a combination of separate
parts is seen, then visual unity does not exist. Often times, the varied use of thin, thick,
arrangement, and darkness augment the interest of a piece and intensify its
sense of unity. To find this visual
harmony, viewers usually first look towards a piece’s use of positive or
negative space.
Gestalt:
· Gestalt is a well-known theory of
visual psychology. It describes a
harmonious pattern or configuration of the visual elements whose effects cannot
be acquired from a basic summation of its components.
Harmony:
· Harmony is the appealing combination of
separate parts that make up a whole composition. When elements in a design are harmonious,
they posses a congruence and look as if they belong together. These elements will not achieve unity if
there is disconnect between them.
6 Ways To Achieve Visual Unity:
Proximity:
Proximity is the simplest way to gain a sense of unity. It is the degree of closeness in the position
of the elements. The placement of
separate elements close together allows them to look as though they belong
together. This is one way to aid the
viewer’s eye move smoothly from one item to the next.
Continuity:
Connection is the visual connection between two or more separate designs. It is most often a planned arrangement. A way to achieve unity and continuity is
through the application of a grid.
Repetition: A viewer sees repetition when he or she begins to look past the subject matter of a particular work of art or design. It is employing the use of the same visual element over again within a composition. Shape, texture, angle, direction, and color can all be used to create repetition.
Repetition: A viewer sees repetition when he or she begins to look past the subject matter of a particular work of art or design. It is employing the use of the same visual element over again within a composition. Shape, texture, angle, direction, and color can all be used to create repetition.
Emphasis: To
give emphasis to something is to give said thing a distinct prominence or
importance. Often the focal point of
work of art or design is where the majority of emphasis is placed. On the other hand, attention can be placed
upon a piece as a whole through the absence of a focal point. Emphasis can be achieved through contrast,
isolation, and placement.
Chaos and control:
Chaos and control are two extremes, which can lack visual unity, making a design
or an image unreadable or boring.
The grid:
The grid is a framework or a skeleton that helps to divide the page. By giving the page a format, space division
is possible. This type of structured
grid is used frequently on the Internet and in creating corporate
identities. Also, the use the grid does
not necessarily lead to a dull regularity in page design.
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