In class we are
discussing items such as asymmetrical balance, shape, curvilinear elements,
rectilinear elements, positive and negative shapes, and illusion of depth. All of these terms can be observed clearly in
Portrait of Nick Wilder by artist
David Hockney. An acclaimed British
artist of his time, Hockney painted this acrylic piece in 1966. The scene portrayed is idealized and
represents a carefree sensibility.
One can observe asymmetrical
balance in that the painting is not the same on either side of a vertical
axis. Objects are distributed carefully
within the image and are given equal visual weight. What helps to achieve said balance are
the colors, shapes, textures, and values of the
piece. Also, there is a clear
combination of curvilinear and rectilinear lines at work. Most notable, is the round outer line of the
pool, located in the foreground of the painting. It is a striking and bold curve that, in
combination with the colors and strokes of the water, makes for an eye-catching
point. Curvilinear lines can also
be seen within the focal point, the figure in the pool, as well as in the
assorted foliage. Aside from that, the
vast majority of the lines in Portrait of
Nick Wilder are rectilinear. Meaning that that they are straight edged.
One can observe this type of line within the building in the background. Along with line, one can observe shape,
both geometric and irregular, at work. Also, the negative and positive shapes
seen in this painting by Hockney establishes a clear representation of
foreground, middle ground, and background.
With this, comes a distinct illusion of depth by way of
overlapping, vertical location, and size. The lines and shapes aid in creating a dynamic
and balanced composition, which moves the eye carefully around the
painting.
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| Portrait of Nick Wilder, 1966. David Hockney. Acrylic on canvas, 182.9 x 182.9 cm. Private collection. |
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